Controlling Our Emotions in an Emotional Field
It’s a paradox that musicians must be simultaneously expressive but also completely in control of their emotions. In order to create a moving performance […]
It’s a paradox that musicians must be simultaneously expressive but also completely in control of their emotions. In order to create a moving performance […]
This is the first of a three part series of articles related to the use of somatic principles in freeing the body in order to sing (and […]
Reprinted with permission from the Spring 2018 issue of the Maryland Music Educator Author’s Note: Since I only teach strings, my examples are from strings classes. […]
Reprinted with permission from the Spring 2017 issue of the Utah Music Educators Journal. Intro How and by what system can we play brass instruments […]
Reprinted with permission from the May 2018 New Jersey Tempo Magazine. As a middle school orchestra teacher, I found myself frequently saying to my students, […]
By Matt Nutter, Wichita When an observer watches a music classroom, they probably notice a variety of things: the physical layout of the room, the […]
Reprinted with permission from the Spring 2018 issue of the Utah Music Educators Journal When you learn something from people or from a culture, you […]
Reprinted with permission from the Kentucky Bluegrass Music News. I recently spoke with a leader from a national arts advocacy organization who told me, “I […]
Reprinted with permission from the Alabama Ala Breve. For the past 50 years or more, we music educators have been involved with one initiative or […]
The Pasadena Tournament of Roses Parade: five and a half miles in the California sunshine; the treacherous, 110-degree “TV Corner;” one-million spectators on the street; […]